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Showing posts with label video production. Show all posts
Showing posts with label video production. Show all posts

Friday, March 26, 2010

Why a DSLR Won’t Make You a Good Filmmaker

Several years ago I was going to college for graphic design when I was introduced to this great program that you could make cool videos with. It was called iMovie and was the first time I ever worked with video before. Our assignment was to take pictures and make a slide show. Well not being one for underachievement, I took some wedding photos I did for a friend and turned it into an action movie trailer. The teacher was so impressed that she showed it to the dean of the school.

After the class was over, I thought to myself, “If I can do that with photos, I wonder what I could do with video.”

So I went on ebay not knowing anything and bought a cheap JVC miniDV camcorder. It had a broken LCD screen but the viewfinder still worked. But it only cost $27. I found a rusty aluminum tripod in my buddy’s attic and we were off. We made a short video (that I won’t show you so you won’t loose all respect for me) and had a great time. But when I was done I looked at it and said, “Why doesn’t this look like the movies?”

Living in Green Bay, Wisconsin doesn’t give you a ton of options for learning film. So I started looking around online and bought my first HD camera. It was a Sony HC3 and served me well. But always being one for upgrading, I looked to see if there were any accessories I could get for it. I came across the Canon HV20 and saw all these adapters and rigs being added to this tiny camera. I wondered why no one was doing that to my HC3 and slowly discovered the importance of 24p and manual control. I bought an HV20 and built my first DOF rig.



I’ll admit that I was bitten by the DOF bug. “Forget learning lighting, composition, blocking, etc……As long as it has shallow DOF then you’re golden!” I became one of the people I now roll my eyes at. But I soon discovered that shallow DOF is by its self, very shallow.

I decided to step away from the whole DOF rig scene and try my hand at video production. I sold my HV20 rig and bought an XH-A1. But the guy that I bought my XH-A1 from ended up throwing a Redrock M2 into the sale. So I was back with a DOF rig, but this time I learned to use it as a tool instead of a gimmick.



I did a few productions but was always frustrated at the size of the rig. There were times I wished I could just go out and shoot for the day, but I didn’t feel like hauling my huge Pelican case across town. I used it for paying gigs, but not much creative work.

I heard about DSLRs but was nervous about the technology. Would it shoot real video well? Could I use it for productions? Would I be taken seriously without my huge camera rig? After much debate and being tired of hauling around my big-rig, I sold everything and bought a 5D MkII.

After I received it, I took it out for a commercial shoot and was amazed at the quality. Not because it had shallow DOF but because the image was so crisp and vivid. I was hooked!



****

Now I told you all that to get to my point which is that simply buying a DSLR won’t make you a good filmmaker…for the same reason none of my other equipment by itself made me a good filmmaker. Having shallow DOF isn’t some magic fairy dust that you sprinkle over video footage to make it good. There are so many other factors to it. You need to understand every facet of the art form. And if you don’t know it all, surround yourself with people who can compliment your talents. Work off of each other and learn from one another. I can light a scene pretty darn well but I couldn’t write a script to save my life. And forget having me be your sound guy.

On the other side, there are a lot of DSLR haters out there. They complain because it has moirĂ©, rolling shutter, aliasing, etc. that it shouldn’t be used for productions. But then I started talking to other DP friends of mine. DPs who are paid professionals with years of experience in digital and film productions (one of which makes about $40K a week). I asked them what they use, and you know what it was?

DSLRs

Do they use them exclusively? HECK NO! They have EX1s or HVX200s or REDs in their arsenal for when they are needed. But do they use DSLRs primarily? Absolutely.

At the end of the day, you are an artist and your camera is your tool. It’s not the tool that makes the image, it's the artist. No matter how many limitations a tool has, a skilled artist can still make something beautiful with it.

The best example I can use is this:



This is an artist using MS Paint to create a fairly photorealistic picture of a car. Is MS Paint the absolute best tool for drawing pictures? No. But it is cheap and in the hands of a professional, it can be used to create beautiful images.

You wouldn’t yell at this person for using Paint and say, “You should be using Photoshop! You’ll have higher resolution and better tools for editing.” Instead you would applaud their ingenuity and creativity.

I want to embrace the possibilities of new technology and go out and create something fun and exciting. I don’t want to sit back and nitpick while I wait for the technology to be perfected. I may screw up along the way, but at least I’m trying!

Thursday, March 25, 2010

HD-DSLR News: What I've Been Reading Lately...

I love to go around reading blogs, posting on forums, checking out videos. Often times I find some real good stuff out there that might help you out.

DSLR vs. Film: Zacuto's Great Camera Shootout

Zacuto did an amazing job of comparing the "Grand Master" film to the "Game Changer" DSLR cameras. They just released the first episode of their three part series. Check it out and prepare to be amazed!


DSLR Blogs


Shane Hurlbut

Shane is an amazing DP and fell in love with DSLRs shortly after they arrived. His experience is in cinema, and while he uses some lenses that most of us could never afford (such as Panavisions ranging in the $50k+ range) he has tons of great tips for the average shooter. Such as differences in still glass, recording sound, picture style settings, and much more.

Vincent Laforet


Vincent was one of the first photographers to be handed a 5D MkII and he created the infamous Reverie video that made everyone fall in love with the 5D MkII. He has posted tons of great tips for DSLR shooting along with lots of behind the scenes photos from his shoots (which I always love!).

EOSHD

I recently came across this site and what I've enjoyed most is their experimentation with anamorphic adapters on various DSLRs.

Philip Bloom


If you shoot video on a DSLR, you should know who he is.


Gear

Zeiss Compact Prime 2 Cine Lenses


I first came across these when reading Vincent Laforet's blog post about them. I was intrigued since the only compact primes I had heard of before these was the RED Mini Primes. As I read more I found out that the Zeiss CP lenses use Zeiss ZF glass seen in their ZF still lenses. Zeiss makes some of the best glass you can get for your DSLR. But what makes the CP lenses better? Well you are getting hand picked glass, 300 degree focus range (for easier focus pulling), 14 iris blades (for better focus fall off and bokeh), standardized size, color corrected glass, and so much more. Read more on Vincent's post, but you can see why these would be great to have. The cool part is Zeiss is releasing their version 2 of the lenses with EF mounts! This means no PL adapter...just slap the EF lenses right onto your Canon DSLR. Very cool! Version 1 that have the PL mounts have been out for awhile now. Version 2 with the EF mounts are supposed to be released this May. More info to come at NAB.

Now if you can't afford the Zeiss CP lenses, you can still get great quality from the Zeiss ZF lenses. I came across RP Lenses which will take standard still lenses and adapt them for cinema use. They aren't as good as Cine lenses, but it's a great alternative.

Caprock Anti-Moire Filters

These aren't really new, but I just discovered them this week. They are filters that help reduce camera moire. Unfortunately they don't work the greatest with full frame sensors like my 5D MkII, but apparently they work well with crop frame sensors like the 7D & t2i. Read Barry Green's write-up about which filter works best with which lens.

Coleman LED Quad Lantern

This is pretty cool. It is small, light weight, battery powered and seems to have a decent output. The color temperature is apparently accurate at around 5600K but the best part is that it separates into 4 individual lights. These lights were even recently seen in 24! Cameratown did a great write up and video demonstration on these. They aren't super bright, but they would be good for small interviews or practical lights for a scene. Your imagination is the limit, but for $60, you can't go wrong.


Other Stuff


If you want to read more of my ramblings, you can find me on DVXUser's forums quite a bit. I'm usually hanging around the DSLR and Lighting sections, username NextWaveG.

Behind the Scenes: Commercial Shoot



Here's a short tour of my basement where we shot some dental and jewelry ads.

This is one of the final ads:

Dazzle Her - Jewelry Ad from Tony Reale on Vimeo.

Saturday, March 6, 2010

DSLR Rig & Gear for Video Production and Filmmaking



Episode 12 of Next Wave TV: Tony's Vidcast

In this episode, I show you the gear I use for my DSLR shoots.

More info on the DIY Zaza Slider:
Zaza Slider Website
DVXUser Forum Page

Hosted by Tony Reale

Produced by Creative Edge Productions







View more photos on our Facebook page.

Thursday, March 4, 2010

Cinematography Tips for Video Lighting - #3 Lighting Every Angle



The third episode of Cinematography Tips for Video Lighting. Hosted by Tony Reale.

Today I talk about the importance of lighting ever shot separately. Often times people will light a scene and shoot from multiple angles. Here I show you why lighting each angle improves the quality of your video.

Produced by Creative Edge Productions







View more photos on our Facebook page.

PhoneCam: Corporate Video Shoot



We were down in Milwaukee this past week doing a corporate video shoot with a marketing firm out of Chicago. Here's some footage from the day.

Wednesday, March 3, 2010

A Fresh Face - Our YouTube Redesign



If you haven't checked out our YouTube page for awhile, you should definitely see what's new. Besides having a ton of great training videos, we just did a redesign of the page. Let us know what you think!

YouTube.com/NextWaveG

Monday, March 1, 2010

Canon DSLR Video Monitor for FREE Using your Laptop



Episode 11 of Next Wave TV: Tony's Vidcast

In this episode, I show you how to use a laptop with Canon's EOS Utility software that comes free with any Canon DSLR to remote view and control your camera.

Hosted by Tony Reale

Become a fan on Facebook!

Produced by Creative Edge Productions

Monday, February 22, 2010

Thursday, February 4, 2010

After Effects Tutorial: Add Anamorphic Lens Flares to Video



YouTube Version

Episode 10 of Next Wave TV: Tony's Vidcast

In this episode, I show you how to add realistic anamorphic lens flares to any digital footage using Adobe After Effects and Video Copilot Optical Flares. The methods I use here are both easy and fast...which can be very important when using effects like this.

This is a great alternative to spending thousands of dollars on anamorphic lenses for your camera. The results are very realistic and highly customizable.

I also show you how to add realistic handheld camera shake to your footage. This can be very important when working with DSLR footage since most DSLRs have rolling shutter problems that create a "jello-cam" effect when moved quickly.

Wednesday, January 13, 2010

Canon 5D MkII PC Workflow - Adobe Premiere CS4 [UPDATE]

I'm going to take a little time to go over two things: my editor and my workflow for 5D footage.

Editor:



My first setup was a HP Pavilion Intel Quad core Q6600 desktop. I used it for my HV20 thru my XH-A1 and some of my 5D MkII footage. I paid $1,100 back in January of 2007 and it still works great.

When we started editing the Doritos commercial Sean wanted to try out his new Intel i7 desktop, so we brought the footage over to his house. I was very impressed at how well the i7 handled the transcoded 5D footage (I'll talk about transcoding more in a little bit). So that got me interested in a new system...but this time I wanted to be mobile.



Which led me to my current editor, the Acer Aspire 8940G. It has an Intel Core i7 processor, 4GB RAM, Blu-ray drive, and 18.4" 1920x1080 HD screen. It is much zippier then my desktop and I'm really happy with how it edits.

What are the downsides? Well it doesn't have good speakers (at least compared to my monitors), so I always plug in my monitors before I finalize sound on any project. Also, even after calibration, I don't trust the laptop's screen to be truly color accurate. So before I finalize a project, I always color correct on a good external screen.

But all that said, for the price the Acer is a fantastic editor.

I love being mobile too. I can shoot on location and jump right onto my laptop and review the footage or start editing right away. Plus it lets me edit at my favorite coffee shop...which my desktop never could :)



Here we are on location at one of the Jewelery shoots and I'm reviewing footage. Pretty sweet!

Oh, and since I'm pretty much addicted to having dual screens, I bought a DoubleSight 9" USB monitor. It's not very good for video editing, but works great for viewing websites. I love it because it runs both signal and power over USB...no VGA or power cables to worry about.

Workflow:

I did a review on Philip Bloom's 5D MkII Training DVD and in that review I told people that I would recommend it if you are new to filmmaking. In his DVD, Philip goes over Mac workflow, but leaves PC users with very little so I wanted to give you guys a simple workflow method for PC users.

First I'm going to assume you have a quad core PC or are at least able to view raw footage from your 5D in Windows Media Player without it skipping. If you can't do that, your computer may not be able to handle 5D footage very well. Also we'll assume you've already offloaded the footage from your CF card to your computer. And lastly, I use Adobe Premiere Pro so this workflow will revolve around that. If you use Avid, Vegas, or something else try to substitute parts of this guide for your setup.

Now that it's on your computer, you'll need to transcode it. Raw 5D footage is encoded in H.264 which is great for capturing, but horrible for editing. Macs can read H.264 and edit it pretty well, but PC editors don't use the GPU of the computer the same way Macs do so transcoding is a necessary step in PC editing.



I personally use Cineform NEO Scene for my transcoding. Mainly cause it creates an editable, lossless file that is converted from 30 fps (which is the 5D's only frame rate) to 29.967 (which is the industry standard frame rate).



Now that you've transcoded your footage, open your editor. Select a project that is 1080 HD at 29.967 (sometimes shown as 60i). Go ahead and drag in your transcoded footage and try playing it back. You will notice that the raw footage from the 5D will barely play at 1 fps in your editor, but the transcoded footage should play back fairly smoothly. Depending on the power of your PC, you may notice some choppiness in playback, but that has nothing to do with the quality of the footage. It just means your computer has a hard time editing Full HD 1080 footage. HD editing is very resource intensive so the newer and more powerful the computer, the better.

Hopefully that helps. Remember, transcoding is pretty much a requirement of PC editing of 5D footage. If you're planning on buying a 5D MkII and a PC to edit it on, add Cineform (or something similar) to the cost of your purchase.

Good luck!

[UPDATE]
I thought I'd share one more thing. Cineform is great for commercial productions when you want the best possible editable copy of your footage. But what if you just want something smaller to edit and archive?

I've been using Adobe Media Encoder to convert my 5D footage down to 720p 29.97 which works great. The file sizes are much smaller and it's a standard format that I can work with.

I usually compress out an MP4 using an H.264 encoding. Here are the typical settings I use. Depending on your sequence settings, you may want to change a few of the settings around until you get something you are happy with.

Sunday, November 8, 2009

Crash the Super Bowl Doritos Commercial - Want More?



This is a commercial we shot for the “Crash the Super Bowl” Doritos contest.

Written, Directed, & Edited by Sean Bowers
Director of Photography & Color Correction by Tony Reale

Starring:
Nick Wicker
Travis Calkins-Delforge

Shot on the Canon 5D MkII and XH-A1 cameras

This was the first shoot I did with my new Canon 5D MkII...and I have to say, it's FANTASTIC! The image we captured was beautiful and it let me light more artistically than before.

Click here for pictures from the shoot.

Sunday, October 18, 2009

Review: Learn Canon 5D Mark II Cinematography with Philip Bloom


I'm in the process of upgrading from my Nikon D90 to the Canon 5D Mark II. I love the look of the 5D MkII for it's pictures and of course for it's video. Knowing that the 5D has limitations, I decided to purchase Philip Blooms new tutorial DVD, Learn Canon 5D Mark II Cinematography with Philip Bloom. I've followed Philip's work a lot. I'm a fan of his style and have tried to replicate it on many of my projects while still maintaining my own originality. I trusted what Philip had to say and figured the price was right to take the chance.

Production Value:

The DVD is very well produced. It doesn't feel like something that was slapped together by a novice or someone trying to make a quick buck. It is enjoyable to watch and learn from. Audio is clean, video is high quality, and menu is easy to navigate.

Content:

Philip starts off by showing us what he does in a shoot. I personally love this approach to learning. It's what I do when I make instructional videos. Giving someone a huge list of potential options is both overwhelming and limiting. That isn't to say that he only limits you to one style of shooting. On the contrary, Phillip shows you different lens options, audio recording options, etc.

The DVD is not an instructional book of every function the 5D MkII has. It shows you how to make quality videos with the 5D. Philip barely talks about the picture functions beyond saying that he's used it for a few shots for a client once.

There is also an extras section that shows you how to work with 5D footage in post. This is also full good advice.

Conclusion:

Did I learn something? Yes. Did I learn something in every chapter? Not really. Someone like myself who has used a decent amount of video equipment may know a good 50%-75% of what Philip says, but there is still that 25%-50% that will help me in my productions for the future.

Value:

Is it worth $175 (right now, on sale for $120 at their site)? Depends on the person. I'll watch it several more times and use most, if not all of the things I've learned in shoots. And that can easily translate into cash in my pocket. If you are someone who spends hours online and has been doing video production and filmmaking for 20+, you may not gain a ton from this. But if you are new to cinematography or don't feel fully confident behind a video camera, this will be a huge tool for you.

Friday, September 25, 2009

Raivu for Kids



Back in June, we produced a video for Raivu Industries. Here's the finished product!

Wednesday, September 23, 2009

New and Improved!



We're excited to announce our newly renovated website. Our new site has a fresh layout and lots of new content. Be sure to check it out and let us know what you think.

creativeedgepro.com

Special thanks to Noah Settersten for his help building our old site.

Wednesday, July 22, 2009

Macro Videography - Nikon D90



Vimeo version

A short compilation of video clips taken with my Nikon D90, my Nikkor 50mm f1.8, and various extension tubes.

Thursday, July 16, 2009

Howcast


A few weeks back I received an email from a staff member at Howcast. He said he had come accross our How to Build a Camera Jib/Crane video on YouTube and wanted to host our content on their site. I was more than happy to see our content reach a wider audience.

Be sure to check out Howcast for a variety of helpful videos. Here's a link to our Howcast page.